Conrad Festival 2011
The reading lesson with Grzegorz Jankowicz
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Robert Walser's micrograms (opening of the exhibition)
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Robert Walser. Microscripts (opening of the exhibition)
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Itamar Loves Animals | Itamar Meets a Rabbit
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Opera: Itamar Meets a Rabbit
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The reading lesson with Tadeusz Sławek
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Who will run with me? A meeting with David Grossman
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Robert Walser and Other Ghosts. Meeting with Matteo Terzaghi
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Novel Now
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Coprophags or hated, but indispensable
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Coprophags or the Hated, but Indispensable
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Politics of the Future. A Disagreement between Left and Liberalism
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The Link Between the Days
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Digital Photography: is it still Photography? - spotkanie z Andre Rouille
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The Joseph Conrad Annual Lecture: Alberto Manguel
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Global Literature: Chances and Risks
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Brothers Quay's films
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Brothers Quay's films:
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Soul Side Story
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Concert: Tomasz Budzyński & Friends
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Concert: Tomasz Budzyński & Friends
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The reading lesson with Jacek Dehnel
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From one into another. On translation, on an example
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The Illegal Norwegian
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Women Under Pressure
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The Ideal Reader. Meeting with Alberto Manguel
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Some Thoughts on Contemporary Photography - lecture by Michael Fried
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The Untold Story
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The Untold Story
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Hakol Zorem, Everything Flows - a personal journey between literature and music
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Hakol Zorem, Everything Flows - a personal journey between literature and music
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Fiction and Holocaust. Meeting with Steve Sem Sandberg
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Film screening: Branca de Neve
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Film: Branca de Neve
Film: Branca de Neve
(Snow White, 2000)
Directed by: João César Monteiro
Introduction: Reto Sorg
Experimental film based on Snow White by Walser. "Instead of looking, I prefer to listen," says one character to another in cult Swiss author Robert Walser’s drama which provides the fitting source for this ground-breaking adaptation. Beginning with photographs of Walser (who spent most of his years in a mental asylum, and is best known for the influential Surrealist work Institute Benjamenta) lying dead in the alpine snow, Snow White quickly abandons image entirely, or at least the traditional version of it, and instead uses words alone to create vision. A fade to black that lasts the entire film, interspersed with sudden shots of clouds floating across a blue sky, accompany a series of actors voicing the entire story. Snow White poses the questions "Do pictures negate the intensity of vision? Does one see more clearly, when one has only words to see?" Challenging, radical, and essential.
Free entrance card to be collected at the cinema box office on the day of the screening.
4 November, at 21:00 Pod Baranami Cinema
The Battlefield. Meeting with Michel Houellebecq
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Poetic Transformations (Polish/French)
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The translation reading lesson with Magda Heydel
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Poetic Transformations (Polish/Italian)
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The Man Who Sleeps
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The Joseph Conrad Annual Lecture:
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A Refugee from the Circumstances
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Translation and Politics
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Dating sessions.
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Archeology of future
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Aller gute Dinge sind drei
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Lost in translation. Meeting with Eva Hoffman
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Literature and Gods. Meeting with Roberto Calasso
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Film screening: Der Vormund und sein Dichter
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Film: Der Vormund und sein Dichter
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Children’s Literature Reading Lesson with Joanna Olech
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The Face Book. Meeting with Marek Bieńczyk
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The Second Life of Opera. Meeting with Mariusz Treliński
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The Trance. Meeting with Manuela Gretkowska
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The Hygienists. Meeting with Maciej Zaremba
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Popoetry. Poetry Reading by Brian Patten
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Odysseus’s Dog: an Essay for voice and double bass
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Odysseus’s Dog: an Essay for voice and double bass
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Out of the Head. Meeting with Janusz Głowacki
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The fact that here you did not find anything interesting for yourself does not mean
you will not find something in other sectors
